Alberto Martos, Myriam Sotelo - Schumann: Works for Cello & Piano (2024) [Hi-Res]

Tracklist

01. 3 Romances, Op. 22 (Arr. for Cello & Piano by Anonymous): No. 1, Andante molto
02. 3 Romances, Op. 22 (Arr. for Cello & Piano by Anonymous): No. 2, Allegretto
03. 3 Romances, Op. 22 (Arr. for Cello & Piano by Anonymous): No. 3, Leidenschaftlich schnell
04. Adagio & Allegro, Op. 70 (Version for Cello & Piano): I. Adagio
05. Adagio & Allegro, Op. 70 (Version for Cello & Piano): II. Allegro
06. Fantasiestücke, Op. 73 (Version for Cello & Piano): I. Zart und mit Ausdruck
07. Fantasiestücke, Op. 73 (Version for Cello & Piano): II. Lebhaft, leicht
08. Fantasiestücke, Op. 73 (Version for Cello & Piano): III. Rasch und mit Feuer
09. 3 Romanzen, Op. 94 (Arr. for Cello & Piano by Anonymous): No. 1, Nicht schnell
10. 3 Romanzen, Op. 94 (Arr. for Cello & Piano by Anonymous): No. 2, Einfach, innig
11. 3 Romanzen, Op. 94 (Arr. for Cello & Piano by Anonymous): No. 3, Nicht schnell
12. 5 Stücke im Volkston, Op. 102 (Version for Cello & Piano): No. 1, Mit Humor
13. 5 Stücke im Volkston, Op. 102 (Version for Cello & Piano): No. 2, Langsam
14. 5 Stücke im Volkston, Op. 102 (Version for Cello & Piano): No. 3, Nicht Schnell, mit viel Ton zu spielen
15. 5 Stücke im Volkston, Op. 102 (Version for Cello & Piano): No. 4, Nicht zu rasch
16. 5 Stücke im Volkston, Op. 102 (Version for Cello & Piano): No. 5, Stark und markiert
17. Märchenbilder, Op. 113 (Arr. for Cello & Piano by Anonymous): No. 1, Nicht schnell
18. Märchenbilder, Op. 113 (Arr. for Cello & Piano by Anonymous): No. 2, Lebhaft
19. Märchenbilder, Op. 113 (Arr. for Cello & Piano by Anonymous): No. 3, Rasch
20. Märchenbilder, Op. 113 (Arr. for Cello & Piano by Anonymous): No. 4, Langsam, mit melancholischen Ausdruck

The name proposed for this programme comes from the title of the poem by Heinrich Heine that Robert Schumann set to music in the 11th piece of his song cycle for voice and piano "Dichterliebe" (Poet's Love) Opus 48, written in the year of his marriage to Clara. This poem may sum up the well-known love of both Brahms and Schumann for the master's daughter they shared. The aim is to bring the public closer to the language of our protagonists through the genres most cultivated by them, such as lyric and fantasy in short pieces, in the case of Robert and Clara, and the sonata, one of the forms most cultivated by César Franck.

Alberto Martos, violoncello
Myriam Sotelo, piano

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