Alina Wunderlin, Kieran Carrel and Ulrich Eisenlohr - Brahms: Complete Songs, Vol. 5 (2024) [Hi-Res]

23 Feb, 12:56
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Artist: Alina Wunderlin, Kieran Carrel, Ulrich Eisenlohr
Title: Brahms: Complete Songs, Vol. 5
Year Of Release: 2024
Label: Naxos
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 56:39
Total Size: 209 / 565 MB
WebSite: Album Preview

Tracklist:

1. 5 Gesänge, Op. 71: No. 1, Es liebt sich so lieblich im Lenze! (2:04)
2. 5 Gesänge, Op. 71: No. 2, An den Mond (3:02)
3. 5 Gesänge, Op. 71: No. 3, Geheimnis (1:56)
4. 5 Gesänge, Op. 71: No. 4, Willst du, dass ich geh'? (2:34)
5. 5 Gesänge, Op. 71: No. 5, Minnelied (2:37)
6. 4 Gesänge, Op. 70: No. 1, Im Garten am Seegestade (1:57)
7. 4 Gesänge, Op. 70: No. 2, Lerchengesang (2:30)
8. 4 Gesänge, Op. 70: No. 3, Serenade (1:26)
9. 4 Gesänge, Op. 70: No. 4, Abendregen (4:16)
10. 7 Lieder, Op. 95: No. 1, Das Mädchen (2:26)
11. 7 Lieder, Op. 95: No. 2, Bei dir sind meine Gedanken (1:57)
12. 7 Lieder, Op. 95: No. 3a, Beim Abschied (1:04)
13. 7 Lieder, Op. 95: No. 4, Der Jäger (1:14)
14. 7 Lieder, Op. 95: No. 5, Vorschneller Schwur (1:34)
15. 7 Lieder, Op. 95: No. 6, Mädchenlied (1:30)
16. 7 Lieder, Op. 95: No. 7, Schön war, das ich dir weihte (1:59)
17. 6 Lieder, Op. 97: No. 1, Nachtigall (2:21)
18. 6 Lieder, Op. 97: No. 2, Auf dem Schiffe (1:10)
19. 6 Lieder, Op. 97: No. 3, Entführung (1:27)
20. 6 Lieder, Op. 97: No. 4, Dort in den Weiden steht ein Haus (1:32)
21. 6 Lieder, Op. 97: No. 5, Komm bald (2:03)
22. 6 Lieder, Op. 97: No. 6, Trennung (2:37)
23. 5 Lieder, Op. 107: No. 1, An die Stolze (2:03)
24. 5 Lieder, Op. 107: No. 2, Salamander (0:58)
25. 5 Lieder, Op. 107: No. 3, Das Mädchen spricht (1:23)
26. 5 Lieder, Op. 107: No. 4, Maienkätzchen (1:09)
27. 5 Lieder, Op. 107: No. 5, Mädchenlied (1:36)
28. 5 Ophelia-Lieder, WoO 22 (4:30)

In grouping his Lieder into sets with opus numbers, Brahms was concerned with thematic unity and poetic contrasts. The theme of Op. 71 is love, whether ardent, ironic or courtly, and contains one of his best-loved songs, Minnelied. In Op. 70 the connections are more subtle: past, present and future create the thematic framework. The serenity of Op. 95 is heightened through the use of Serbian folk songs, and for the Op. 107 set Brahms once again illuminates love in all its intensity and humour.Nur wer die Sehnsucht kennt (‘None but the lonely heart’), probably the best known of Tchaikovsky’s songs, lends its name to an intimate theatrical evening in which Christof Loy has combined songs or ‘romances’ and instrumental music to create a chamber opera of striking beauty and intensity. Tchaikovsky’s songs cover a stylistic diversity unsurpassed by other Russian composers, often setting enigmatic texts in which the unsaid and unsayable create expressive tensions and encapsulate true human emotions. Given a sumptuous period setting, these qualities create a unique drama in which suppressed love is confronted with longed for moments of passion, and sadness over broken relationships leads to withdrawal and loneliness.

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Alina Wunderlin - Brahms- Complete Songs, Vol. 5 Hi-Res.rar - 565.9 MB
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